Best WordPress Hosting
 

Blurring Realities — about the First Virtual AI Art Fair

At the brink of virtual realities in the eighties of the last century, the possibility of an artist existing in a virtual space was raised alongside virtual art. What belonged to the realm of science fiction and cyberpunk, has now become a reality, as evidenced by the existence of many AI artists at deeep (as seen by the booth of Dead End Gallery for example). The reason deeep is so exciting is because the virtuality of the fair dissolves the classic oppositions between the living and the inanimate, the real and the fictional, and the all too rigid juxtaposition of the tangible and the visible. The first fully virtual art fair, initiated by deeep.art and created by Walter’s Cube, is profoundly thought-provoking, revealing the hybrid, partly organic, partly cybernetic nature of the contemporary art world and of contemporary artistic and creative images. In this sense, hybrid beings and synthetic realities appear in several booths, partly created by real intellects and partly by pre-programmed entities, but always built up from elements of different realities, based on the expectations of the potential recipient. This is why Vadim Fishkin’s work ‘Miss Christmas’, where the shadow of a ‘real’ palm tree emerges from a paint can, is a great emblem for the fair, symbolizing the classic toolkit of illusion. Fishkin’s illusion also makes clear how the reality of artworks is relative, since the image is always created in our minds, or rather in the billions of neurons that run through it.

The virtual tent of the deeep – First Virtual AI Art Fair, 2023

The hybridisation of the organic and the synthetic, the real and the artificial, takes place in multiple ways and on multiple scales at the Deeep AI Art Fair, whose very name invites us on a parallel journey into the depths of human intelligence and the digital image. The exhibitors include both traditionally „living” artists and artificial intelligences „who” create works of art by simulating fictional artistic characters. But there are also artists who consider themselves digital, who use not only digital technology but also artificial intelligence to create images – in effect, hybrid beings. From here, it is easy to move to another related but even more complex virtual-real scale, that of artworks.

We are the black hole that makes the sun glow—On the works of Chang Li-Ren 張立人 (Part 2)

The world is that what you fight for.

As an island, the history of Taiwan is complex and multifaceted, shaped by centuries of migration, colonization, and political upheaval. Taiwan’s indigenous peoples, who are thought to have inhabited the island for thousands of years, were gradually displaced by waves of immigrants from China and other parts of Asia. The island was colonized by the Dutch in the 17th century, and later came under the control of the Qing dynasty in the 19th century.

After World War II, Taiwan was returned to Chinese control, but the country soon found itself embroiled in a civil war between the nationalist forces of the Kuomintang (KMT) and the communist forces of the Chinese Communist Party (CCP). In 1949, the KMT were defeated by the CCP and retreated to Taiwan, which they declared to be the seat of the Republic of China (ROC).

We are the black hole that makes the sun glow – On the works of Chang Li-Ren 張立人 (Part 1)

Chi-Wen Gallery is a contemporary art gallery located in a townhouse in Taipei that showcases contemporary art. The gallery has been operating since 2004 and is known for its particular emphasis on new media and experimental art forms. It has presented works by both established and emerging artists and hosted a variety of exhibitions, performances and events. Since 2018 it is also the base of Chi-Wen Productions, an organisation dedicated to produce and document artist film, video and performance with a special focus on works dealing with political issues and subaltern communities. Most notably, they produced A Dream of Wholeness in Parts in 2021 and If I had the words to tell you we wouldn’t be here now in 2019 – both written and directed by Sin Wai Kin formerly known as Victoria Sin. Chi-Wen Gallery also participates in international art fairs such as Art Basel Hong Kong, Loop Barcelona or Frieze New York and has a presence in the global contemporary art scene.

Chang Li-Ren is an artist from Taiwan who graduated from the Graduate Institute of Plastic Arts at Tainan National University of the Arts. His body of work mainly consists of video installations, conceptual art and animations created using a unique form of story-telling using virtual worlds between imagination and reality. He also works in the gaming industry.

Chang’s work has already been featured at Chi-Wen before in Migratory Birds, Sea Breeze, Phonograph (fall 2020). He showed a collaborative project with artists Yuan Cheng and Lanxin Rui titled FM 100.8. This piece was dealing with their individual relationships to Taiwanese national narratives and the histories that precede them. Earlier that year, Chang Li-Ren showed at the gallery’s exhibition Every Man is an Artist. This show, bearing the subtitle Talking About Artists’ Social Engagement was inspired by Joseph Beuys’s notion of “Social Sculpture”, an idea for a future in which every living person becomes an active agent in shaping their social environment.